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Halleh Ghorashi - This exhibition is the first stage of the Iranian women’s museum project, which showcases handicrafts made by women inmates (prisoners of conscience) in Evin Prison. The stories and imaginaries connected to these handicrafts make them much more than just objects.
Marga Martens – One might wonder what are pure and goodly deeds and what is commendable and seemly conduct? Sacrificing your freedom for spiritual concepts seems to me a pure and goodly deed.
Mona Holm - It is a tremendous pleasure for me to be here with you at the Humanity House in Den Haag, today, the 9th of March 2018, and see the fruits of years of hard and dedicated work. What we are part of just now is a truly remarkable event. This is an inauguration we have been hoping for and longing for, during years, but have not quite been able to understand how could be realized.
Parastou Forouhar - The opening of the exhibition we have gathered here to see is a beautiful small step toward a greater hope and idea – a museum that represents the women’s movement in Iran.
Evin Prison is situated at the foot of the Alborz mountains in Tehran. The prison officially began operations in 1961 as a detention center for people awaiting trial. However, under the Islamic Republic, political prisoners served their entire sentences in the prison.
This exhibition is part of the oral history of the women’s movement research project within the framework of the Women’s Movement Museum. It encompasses subjects such as women’s biographies, events, associations, and creations in the artistic, literary, and social fields.
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The following article appeared in Persian for the first time on the occasion of International Workers Day- May 1st, in order to point out on a group of women who receive no wages and bonuses, who carry out tiresome work and then was used as a part of the exhibition of Iranian Women’s Museum in Bonn on September 2009.
